Thursday, November 26, 2009

Pelski's Playlist - Pt. IX

I decided to ditch the pelski playlists a while back - what with the blog's newfound focus on mature, longer-lasting music. I feared the exhaustive list of downloads would devalue each individual track. However, a bulging backlog of tracks sent to my inbox (and others cleared for blogging) has built up, and so, reluctantly, I'm going to post a bunch of them. Many of these tracks have been reduced in bit-rate as part of the conditions under which I may post them, while some others are full quality. Pelski highly recommends them all.

This first track comes courtesy of my Pipedown homies. It's a clattering, soulful slice of percussive funk. Upbeat and uplifting - it's hard to resist breaking into a grin:

Slim Pickens - The Tighten Up

Fabric's Mackaveli introduced me to Pariah's 'Orpheus' in his latest mixtape; a skippy, juddering dubstep remix with real soul. It'll be getting a release soon, so hold tight, but for now check out his murky remix of The XX's dreamy vocal crooner:

The xx - Basic Space (Pariah Remix)

Whilst everyone's going Joy Orbison mad, I suggest you also check out 2562 and his new album (on the excellent Tectonic Records) - full of eerie and enchating 2-step dubstep. Here's an album highlight he's giving away for free.

2562 - Flashback

One of my favourite albums of the year is DJ Vadim's hip-hop/reggae-dub record 'U Cant Lurn Imaginashun'. 'Soldier' is just one of many highlights - I'd love to post the original but unfortunately don't have permission:

DJ Vadim - Soldier ft. Wretch 32, Kyza Smirnoff, Orifice Vulgatron (Foreign Beggers), Sabira Jade & 5Nizza (UK Flex Remix)

I'm a big fan of Kid Kaio, and although this remix is effectively a lesser version of 'This Sound Is', the plinkety conga beats still make for hugely satisfying dancefloor ammo:

Daliano - Baaz in de Club (Kid Kaio & Lucky Charmes Remix)

The kindly fellas over at Think 2wice label have sent over their sixth release. A rolling synth line and fervent bmore drums clatter amidst a steely 90's vibe. Buy the full release here:

Tactic - Valhalla

Detroit's newest star Lee Curtiss utilizes the vocal sample from Seth Troxler's 'Aphrika' in this uptempo house groover from the famous Wolf + Lamb label. Generous lashing of funk are provided by some twanged slap bass:

Lee Curtiss - South Afrika

Brackles caused a stir with his 'Get A Job' EP, and now he's foraying into remix territory. Brackles percussion dances around unpredictably, transforming the original into a charming soother. Keep your eyes peeled for his remix of Crystal Castles:

MSTRKRFT - Heartbreaker (Brackles Remix)

Mowgli is on fine form right now - his deadfish label can do no wrong. This punchy offering of minimal house is deep and bouncy in equal measures. For your tribal fix check out the Camel remix:

Mowgli - Nu Skool

A rumbling, rolling slab of techno bass dominates Max Cooper's remix of this 2004 techno classic:

Abe Duque and Blake Baxter - What Happened? (Max Cooper Remix)

The Crookers' original can not be defended as ironic or even gleefully tongue-in cheek. No, it's just shit. So shit, in fact, that only Solo's dub can save it - or transform it, even, into a bouncy, blippy house banger:

Crookers - Put Your Hands On Me (Solo Dub)

Wolf 'n Wax was founded by two young guys from Thuringia/Germany in 2008, and they've sent over a demo of their first demo - a blippy, rolling slice of techno - incorporating horn samples and ticking beats:

Wolf n Wax - Trombasa

Here we have another former d'n'b producer (along with Clipz and Zinc), who's converted to house. He sent me this simple re-edit of Afrojack's classic 'Pokadots' last month, and while it's hardly a radical rework, the added percussive flairs certainly inject some new life. Buy the original here.

Afrojack - Polkadots (Kevin Focus - Remade & Rebuilt)

This is one from the summer - a kuduro remix of the much-hyped 'Sabali'. Sublime and serene:

Amadou & Mariam - Sabali (Dakunt/Candongueiro Kuduro refix)

A fantastic unreleased grime tracks from the Roll Deep boys, with the original vocal of Wiley's seminal 'Eskimo' riddim, featuring Dizzee Rascal, Wiley, Flowdan and more. They're giving it away to mark the release of their 'Street Anthem' mixtape:

Roll Deep - Eskimo (Vocal)

I meant to post this a while ago. Helsinki's Renaissance Man are running the blogosphere, with their inventive, kooky brand of tech-house. The chipper handclaps and tropical melody remain, but RM get rid of the original's slightly cringy vocal ramblings:

Nicone and Sascha Braemer - Nur Mal Kurz (Philip Bader Remix) Renaissance Man International Edit

Zomby switches from IDM dubstep to 8-bit through 90s house to 2-step. This time Zomby arrives at some fun-loving baltimore club:

The Brown Acid - Try Humanity (Zomby's Vitamin E Remix)

UK Funky's picking up pace, even receiving attention from the likes of dubstep purveyors Hyperdub. Roska's been at the forefront of this sound from the beginning, and Fabric sent over this skippy conga-driven track. Even better is Roska's remix of Erol's new signing Boris Dlugosch:

Roska - Hey Cutie

I've reduced the bit-rate right down to 128 for this one - to encourage you to buy the damn thing. This is arguably Four Tet's finest moment since 'As Serious As Your Life'. The ethereal female vocal sample is gently cut-up in sync to shuffling drum patterns, enforced by a thrumming house hook. And as for Joy Orbison's remix...it's simply stunning:

Four Tet - Love Cry

Thanks go to Riva Starr for this one - Hijack brings some jackin' bump to Falcon's whirring disco synths, cutting the delicious vocal sample into a bouncey, glitchy snippet:

DJ Falcon - Untitled (Hijack Remix)

This offering, handed out for free by Sbtrkt, sounds similar to some of the more tribal dubstep Untold and Ramadanman have been pushing lately. Energetic, upbeat and skippy rhythms:

Sbtrkt - rekorda

Half a year old, but now Fabric have handed this album title track over for blogging at the full bitrate. The chunky synth groove provides a delicious old skool house vibe:

In Flagranti - Brash and Vulgar

This is satisfying, laidback house music, with some tribal flairs added to the clattering percussive beats. This is a real grower. Set it on repeat:

2000 and One - State Of House (Matthias Tanzmann Remix)

Samantha Fu is a cheeky alias of Soulwax's - you'll have heard this on many a dancefloor, or perhaps just on that seminal 2many DJ's mix. Mixhell add some punchy drum kicks and provide a funkier sheen, but retain and cut-up that familiar vocal: "some say they come looking for drugs, dirty dancing and pounding, pounding techno music...."

Samantha Fu - Theme from Discoteque (Mixhell Edit)

Monday, November 23, 2009

Clipz brings the ghetto to the electro...

You may remember I posted Redlight's 'Rock The House' here 6 months ago. Redlight is the new housed-up alias of acclaimed d'n'b don Clipz. Now the Bristol-based producer's back with his first EP, Lobster Boy, and has kindly thrown a couple of samples our way. What with Zinc's newfound allegiance to ('crack') house (check the post here), the dnb-house converts are coming in thick and fast: Beni from the Mixologists has been wonking dancefloors for a while now as part of the fidgetty Jack Beats duo; Kevin Focus is translating his dnb credential to dancefloor house; and even Adam F has lent his hands to the 4X4 tempo in his recent remix of the Prodigy.

Redlight hasn't entirely left his drum n bass expertise behind, judging by the old skool jungle permeating the Lobster Boy EP's ghetto house madness. After all, alot of early jungle resembled house music – utilising the same tempo and elements.

'Feel So Good' could be dubbed as a homage to hardcore: all Ragga MC shouts, clattering percusion and woozy keys. Essentially Redlight transfers the zealous energy of jump up to a excitable electro hybrid:

Redlight - Feel So Good

Kid Soldiers pushes more of those old skool rave sounds, but with a whirring fidget bassline, and more clamorous, dubby jungle:


Redlight - Kid Soldiers

The remaining tracks include 'Be With You' - on more of a dancehall tip, featuring the ragga chants of Serocee - and 'Pick Up The Phone' - a crazy bmore number.

Buy the whole, full-quality EP from Beatport here.

Thursday, November 19, 2009

Reggae Riddims

I've got some old and new reggae flavours for you here, from bashment to jazz-infused lounge reggae.


In 1988 Lady G shot to fame following the release of Nuff Respect. It set the dancehall scene alight. It was powerful stuff: a call to arms; an anthem of female empowerment... and weilded a that riddim:

Lady G - Nuff Respect [pelski highly recommends]

Next up is a sweet, melodic track so beautiful that it really deserves a post of its own. Tony Allen is one of the world’s most acclaimed kit drummers, credited for co-creating afrobeat with Nigerian bandleader Fela Kuti during the 1970s. Now he's collaborated with Jimi Tenor for the latest instalment of the Inspiration Information album series. Allen's drum work shines through this trumpeting, floaty jam, perfectly complemented by Tenor's singing in a strained falsetto - and they've kindly offered it up as a free download (buy the whole album here):

Jimi Tenor/ Tony Allen - Selfish Gene [pelski highly recommends]

This dancehall classic ambles and bounds along with a gleeful, romantic Jamaican charm. I can't recommend this early '90s classic highly enough:

Super Beagle - Dust a Sound Boy [pelski highly recommends]

Funnily enough, I found this earl 70s classic on a Solo summer mixtape. The sweet vocals are offset by, well, the dirty subject matter. But don't forget, as Romeo reminds us throughout, he's just talking about 'your pussy cat'...:

Max Romeo - Play With Your Pussy [pelski highly recommends]

As you've probably guessed, 'High Grade' isn't about sterling report cards, but an ode to the good ol' pungent stuff. This is the first single on Original Chappa's forthcoming album Block Corner, and the label's kindly offered it up as a freerelease. This is a fun piece of bashment enforced by a chunky bassline:

Tuesday, November 17, 2009

November: Pelski Highly Recommends Chart


It's that time again, for the me ot reveal the tracks tickling my fancy, but I don't feel at liberty to post. This month it's all about deep dubstep and housey techno. Remember to pick up these superb tracks from beatport or juno.


1. Reboot - Enjoy Music

2. Darkstar - Aidy's Girl Is A Computer

3. A1 Bassline - Bad Man Horror Theme

4. Major Lazer - Pon De Floor (Alvero Remix)

5. Worthy - Eight Yay Eight

6. Falty DL - The Party

7. Boris Dlugosch - Bankok (Roska Remix)

8. David Keno & Jaxson - Girls

9. Solomun feat. Ole Soul - Cloud Dancer

10. Malente - I Like It (Riva Starr's Remix)

11. Joy Orbison - J. Doe

12. Voodeux - Just A Spoonful

13. Untold - Don't Know. Don't Care

14. Pariah - Orpheus

15. Alex Niggemann & Superlounge - Chip Chip

Wednesday, November 11, 2009

Who is he and what is he to you?

Germany's Henrik Schwarz is one of those highly acclaimed, exquisite producers who commands serious respect. A top produced of techno and house, he's often lauded (incorrectly) as one of the few, or at least biggest, deep house producers of electronic music's booming capital, Berlin.


You may have already heard this one, a staple of many house sets this summer. Bill Withers' funky vocals goes straight for the soul, while Schwarz's remix brings a breezy, rising house vibe that capitalises on the uplifting vocals. I can't recommend this enough:

Bill Withers - Who Is He (Henrik Schwarz Edit) [pelski highly recommends]

Henrik Shwarz brings some tasty stripped back deep house to the sax and scat of Omar and Stevie Wonder. Screeching synths seer and soar behind a deep house groove. I managed to get my hands on the full version, not the shortened set rip that's been floating about. A beautiful piece of music:


An even older one here: Henrik Schwarz provides some slightly more punchy, emotive house backing to the rockier exclamations of Boundzone:


More recently, Henrik Schwarz has produced an excellent remix for Visti & Meyland's excellent 'Yes Maam' EP, but the whole thing here.

Monday, November 9, 2009

Exclusive Banana mix from Zombie Disco Squad

Zombie Disco Squad's chirpy tribal-infused house tunes soundtracked my summer. And in preparation for their gig on the 12th Nov at Jabez Clegg, Manchester, they've put together this lovely mix. In the same fortnight ZDS'll be playing Fabric, Warehouse Project, New York, Paris Social Club and Miami.


They're also handing out this re-edit of Idiotproof's excellent 'Gorilla', filled to the brim with chunky, pent-up slabs of bass:


They've also leant their hands to Drop The Lime's latest release 'Set Me Free', ZDS bring their now trademark jumpy and jungly house beats:


Echoing congas and chirpy jingles permeate their Hess Is More Rework:


Zombie Disco Squad - Banana Mix [pelski highly recommends]

1 Dj Deeon - Where The Hoes At
2 Dj Chernobyl - Empina A Pipa Feat Mc Gi Cabal (Samims Crashroots Remix)
3 Norman Soakes - Cirque De Sol (Dj Madskillz Remix)
4 Dj Madskillz - Surface (Original Mix)
5 Dj Deeon - Who You With 5
6 Ramon Tapeia - Sunka Sanka (Coyu & Edu Imbernon Remix)
7 Tigerskin - Boomshankar 7
8 Macaro - Confusion In My Mind (London Fm Remix)

Thursday 12th November
Zombie Disco Squad w/ Urchins @ Jabez Clegg
Entry - £6.50 adv.
10pm - 3am

Tickets available now from here or:

Gaffs (Fallowfield)
Piccadilly Records (Manchester City Centre)
07590894133
Tkttxt.net
Skiddle.com

Expect to see plenty more superb lineups from Banana Management, including Mowgli and Joe And Will Ask? in coming months.

Thursday, November 5, 2009

Shuffles...


I notice when Fred Astaire lays his tap and shuffle of loose limbed 2-Steps across the floor, it’s a combination of effortless glides and nimble footed strides, something that I have failed to grasp in the discothèque so far. In order to maintain a decent shuffle, apparently you need to maintain a sense of variety. And although I fail to score when it surmounts to a twist and turn of significant proportions, I can assure you this shuffle of tunes was selected by a renowned shuffler. One that has been responsible for crafting many worldly moods On the Go. I am referring to the iTunes Party Shuffle. A piece of software that has the ability to ruin a party let alone start one. But on this particular occasion the tunes came out trumps, and it transformed my high-street shuffle into a fully-fledged swagger. A nice transition. So here’s what was dealt from the deck…

EQ-Lazer – Beat of the Feet

Really don’t know much about these guys apart from that they were making really heavy rave tunes around the early 90’s, somewhere in Holland I think. The glitchy, acidic stabs and bleeps keep this one pulsing round the racetrack. The kid on the vocal sample sounds pretty loco though, he must be having a severe sugar rush whilst blasting rave and eating cheescake, you'll see what I mean.


The Bloody Beetroots remix of Proxy’s latest heavy weight banger has been blogged and bludgeoned to death on our faithful blogosphere. However it seems the avid dance fan likes ceaseless repetition, so here it is one more time. Check out the
Turbo Recordings crew charts on their website, they keep you packed and posted with all their latest club-land picks.


It’s really quite hard to pin point Dub Kult’s sound, the only safe thing to say is that he loiters within the realms of Techno and House, and has been producing records that date back to the 90’s. The build to the 'Brave and Afraid' drop is sparse and spooky, and seems to drag, but I implore you to wait for the downfall. As you soon become immersed in a pulse of earth quaking dubby bass, and sinister cracked out smokey mo-town vocals. Crank the sub now.


More deep cuts from the solid regions of bass driven electro step, with skippity 2-step garage vibes up in the mix. Taken from Point B’s debut album, the likes of ‘Guilty Pleasures’ is surrounded by a warm craft of menacing electronica and dirty stabs. Point B has received critical acclaim from the likes of Ivan Smagghe and Damien Lazarus on compilations. Definitely one to keep watching.

Darkly


Tuesday, November 3, 2009

Crackin' house

By now I'm sure you're all aware that DJ Zinc's ditched d'n'b for his new 'crack house' sound.


Well, Zinc's 'Bingo Beats' just sent over his highly anticipated 10 track EP for review and has granted a couple of low bit-rate downloads too.

Now, I've never really been a fan of drum 'n bass, but Zinc's was of the junglist, low-slung, dusty beats variety. And 'Super Sharp Shooter' remains a classic to this day, with its piping bassline and gentle rattling of d'n'b beats.

The Crack House EP is a showcase of Zinc's new 4X4 sound - a refreshing blend that fuses elements of house, jungle, grime, breaks, dubstep and electro without ever coming off as gimmicky or over-ambitious. He draws on the current sounds of Sinden and Switch (Zinc says house always bored him until the bloggy, fidget bunch came along). What with all the different influences, you would have thought the EP would lapse into a messy meld of convoluted, maximal sillyness. It doesn't.

Junglist drums, it turns out, go rather well with bass-orientated house (discovered by Zinc when in Japan he played a strange set of two halves - 4X4 sounds and d'n'b). Airy hoover bass, plenty of wobble and generous servings of crashing, fervent percussion percolate this EP, its clearly directed squarely at the dancefloor. The EP contains a couple of tasty guest appearances from Benga, Sweetie Irie, Angela Hunte and No Lay. I highly recommends you pick up this EP - all ten tracks are worth your money - from Beatport or Itunes.

Zinc's come up with a winning formula by combining the clamorous energy of jump-up with the pumping beats of house. Here's a couple of tasters from the EP - reduced in quality to encourage you to buy the whole release:

Blunt Edge has recently received attention from the likes of Annie Mac, Brodinski and Fake Blood. Lazy synths and a drowsy melody plod alongside an old-school house vibe. This grows with every listen:

Zinc - Blunt Edge [pelski highly recommends]

Nu Sound wields a deep, growling bassline, whilst tribal congas gently tap over the top:

Zinc - Nu Sound [pelski highly recommends]

You may remember Zinc's seminal 1999 '138 trek', with its pioneering 2-step garage beats, it was later followed by a d'n'b rework '178 trek'. Zinc's now pulled the BPM back to his crack house four-to-the-floor tempo in '128 trek':


Wobbly bass and rattling drum patterns back female MC No Lay's (from grime collective Unorthodox Crew) boisterous vocals in Killa Sound:


What with Clipz's reinvention as Redlight and Beni's as Jack Beats, I welcome this new influx of d'n'b artists translating their abilities to exciting new strands of house. And I'd also like to take this opportunity, with a cheeky smirk, to say to them: I told you so. House rules.

Saturday, October 31, 2009

subs 'n snares

It's been a while since I've posted any dubstep. It is unsurprisingly much harder finding blog-clearer dubstep - or at least good dubstep to post. Of course, there's an abundance of that Cheap Thrills-endorsed brand of clubstep wonkery readily available for blogging, but the deeper, more 'serious' dubstep is kept a lid on. Hyperdub, for instance, are particularly stringent about even low-bit-rate posts of their releases. But Pelski's pulled together a number of top-notch free dubstep tunes.


First, I found Skyence's 'Precious Time' on Echodub's free handout of the Loves compilation series. An eerie hum builds for a minute and a half before dropping into some punchy 2-step percussion:

Skyence - Precious Time [pelski highly recommends]

Emalkay's original exemplifies the emerging mainstream sound of dubstep. Fortunately Sduk has sent through his remix, cutting up that big whirring hook. Keep an eye on Sduk who also co-writes the excellent dubstep/funky/grime-orientated Pipedown blog, also written by Pelski's Idioteque resident Simon Says:


Bat For Lashes gets the one over from Skream. He brings more of the skippy percussive vibe, energetic snares coupled with those crooning vocals make for a wonderful, dreamy remix:


Not so much dubstep, as garage-tinged wobble, I picked this up from Pipedown too. Echoing synths and vocal snippets punctuate some serious john wonkery:


I was a little disappointed with Martyn's set at Bestival, but his productions remain flawless offerings in the blurring of the boundaries between dubstep and techno. Here we have his dark tribal beats underlying Fever Ray's strained cries:


Bonus: Finally we've got a similar vocal remix from a pioneer of the sound, Burial. I also highly recommend you check out Burial's latest track found on Hyperdub's 5 year compilation CD. Buy it here.


Thursday, October 29, 2009

Mr Dutch is back...

Apologies for the lack of posts of late, but all work is done and dusted, so the posts should now come thick and fast. I'd like to thank all those who've been sending their tracks, remixes and mixes toYCCMP. Unfortunately I can't post them all and I'm currently wading through a huge inbox build up, so don't be offended if I don't reply.


A remix I refrained from posting a couple of months back has now been given the blog go-ahead by Palms Out. Pelski favourites Round Table Knights have produced another sublime and genre-busting remix, this time for Dubbel Dutch's huge Trollsta EP. Bouncy tech-house, pattered congas and wobbly pulses of bass make this a big one:


Besides the excellent Trollsta EP, Dubbel Dutch has been keeping busy with a number of tasty bootlegs. Judging from his charts, his taste has slightly shifted from a penchant for wonky closer to UK Funky and minimalist tech-house sounds, and it's discernable in his neat, understated remixes:

The techy clicks and clacks of the his Starship remix intro dropw into some ominous, wavering bass:


The Kid Conga remix competition has spawned many inventive takes on that familiar child-like vocal chant. The tribal percussive vibe of Dubbel Dutch's remix makes it one of my favourites:


Bongo does exactly what it says on the tin, but with some dipping low-wave house beats to boot:

Monday, October 26, 2009

Too Much Work. Not Enough Beats.


Jan Driver is in need of no introduction to the Techno community. Sporting some truly destructive tunes such as the well-received ‘Rat Alert’ on Made to Play Recordings, he has become one of the many Berlin based Techno triumphs of late. The b-side here on Malente & Dex’s Lions E.P, is reworked with atmospheric wildlife documentary echoes on the intro, gently surmounting to a whistling resonating electro pulse. Jan drops the tempo into a subtle wavering minimal build, and climaxes in a whir of foreign growls and disgruntled gangster chopped vocals. Deceptively smooth, yet very hectic.

Malente & Dex - Lions feat. New Kidz (Jan Driver Remix)


Congorock take their slippery, slidey theme park fun synth lines, into the mad-house scene once more. Fall off the edge and go Wild West, all for the price of a cheap head fuck on this one. Innovative forward thinking production on what could be another sterile release on the fidget scene. Find ‘Hybro’ on their ‘Runark’ E.P on Beatport.

Congorock - Hybro


Dorian Concept is an A class producer, with crunch bopping constructions that are pioneering an amass of leftfield electronic offbeat tomfoolery. ‘Vertical Ouput’ is taken from the ‘Maximised Minimilization’ E.P. Check out Dorian’s amusing blog posts on his myspace page.

Dorian Concept - Vertical Output




This one’s an old one by Rustie but it’s still fresh off his Glaswegian block, as the title of his E.P ‘CafĂ© de Phresh’ so succinctly suggests. Having seen him at Warehouse Project just a few nights ago, at the much anticipated and sold out Thrasher night. It’s safe to say that the hype around Rustie’s mesmerizing skippity, trippy hip-hop sets are something to be rivaled with.

Rustie - Just 4 Kicks

I know the posts have been coming at a sluggish pace of late, but unfortunately university sometimes dictates that you have to work every now and then. So here's a random selection, but I hope you enjoy.

Darkly

x

Tuesday, October 20, 2009

Up and Coming and in the Running…


So we like to plug our friends here, and that’s because we’re lucky enough to be surrounded by people who truly have some skills worth plugging. So rewire your circuits for these boys and have a listen to something a little different, they might just lead you down a different path of digital delight.

This first one is by ‘David Freddie Lee’ and I’ve been meaning to whack it on the player for some time now. He plays under the guise of the ‘Ricochet Toys’, who have an array of discotronic indie house productions on their myspace, find them here at www.myspace.com/boasfang. Dave’s evocative tongue and cheek vocals are reminiscent of David Byrne's, minus the strangulated screeches, allowing room for his voice to flow fluently over his sleek sub level electro synth lines. Pure disco twinges, tailored three piece suits, and snide smiles for the French Kitsune girls all come to mind on this one.

Ricochet Toys – Tears Don't Cry

Our next socket with a faulty fuse, rewired through a harmonic generator is ‘Cellma’, find them on myspace at www.myspace.com/cellma. Blissed out low-fi electronica is a first here on YCCMP, and it’s a pleasure to put such a soothing vocal into the open air of the blogosphere. Shinjuku Zulu produced the original track, ‘Sweetness Likes the Reverb’ on his best of album with K.I.A, find his inverted electronic productions at www.myspace.com/shinjukuzulu.

For those of you who do live in the open air of the countryside, where the grass is debatably greener, and the meadows ever rolling. Put on your wellies and wander with your headphones, fall back on the crop circles, and breathe in the reverb. It tastes pretty sweet on this one. ‘Thom Griffiths’ a Dorset school friend, and fellow villager is responsible for the tweaking here. Let nothing that is golder than the county green, be a continuing inspiration to you Thom.

Cellma – Sweetness Likes the Reverb (remix)


Darkly

x

Saturday, October 17, 2009

October: Pelski Highly Recommends Chart

A little late in the month, but it's here and you needn't look further than Pelski's chart for the hottest house, techno and dubstep releases. Some are brand-spankers, others have been around for a couple of months. Buy all listed tracks from beatport.


1. Popof - Faces 'Uch

2. Malente & Dex - Gipsy Kings feat. Analogik

3. Riva Starr - I Was Drunk (feat.Noze)

4. Visti & Meyland - Yes Maam (All Nite Long) (Trentemoller Remix)

5. Bill Withers - Who Is He (Henrik Schwarz Edit)

6. Camel - Dada

7. Skyence - Precious Time

8. Dan M & James Braun - Lessons Part 1

9. Round Table Knights - Belly Dance (Mowgli Remix)

10. LCD Soundsystem - 45:33 (Theo Parrish's Space Cadet Remix)

11. Si Begg - The Bleeps (Shades of Rhythm Remix)

12. Boys Noize - Jeffer (Modeselektor Remix)

13. Mowgli - Nu Skool

14. Noob & Brodinski - Peanuts Club (Renaissance Man Ph 7 Remix)

15. Alex Niggemann - El Hechizo

Monday, October 12, 2009

Western jammin with Tomb Crew

It's been a while since Chase & Status got all hot and bothered about Tomb Crew's cheeky bmore bootleg of 'Eastern Jam'. Subsequently Tomb Crew kept the lid on their 'Western Jam' for a while, and now they've handed it out exclusively to You Can Call Me Pelski.


Tomb Crew cut up that familiar eastern wailing and the filthy mid-range dubstep wobble, to inject some serious baltimore bounce. Simple but effective:

Tomb Crew - Western Jam [pelski highly recommends]

Keep your eyes peeled for Tomb Crew's forthcoming remixes of OH Snap!! and Drop The Lime.

(sorry for the lack posts - once all the work lets up I'll be back on fine posting form)

Saturday, October 3, 2009

Trouble Vision Turns 1


TV's 1st birthday is here- on 16 October - with a brilliant line-up of underground UK acts.

Hot City is Pelski's top tip - his productions take all the early dubstep influences and meld them (UK garage/2step) with classic house, harking back to old school ravey sounds, with elements of his tracks reminiscent of chicago house and detroit techno.

Here we have two blog-cleared Hot City tunes. The first is a brand-spanking new remix, that only gets better with each play. Hot City cut the originals vocals down to glitchy snippets, leaving just the chorus, a higher tempo and that satisfying whiplashed beat:


Skippy drums, piano house samples and a slowed down 4/4 structure come together to make a strangely original production on 'Setting Me Free'. For the full quality copy, and the equally excellent flipside of 'No More', buy the whole release here.


One underrated Hot City release from earlier this year was the low-key Hot City Bass / Sweat EP, melding UK funky sounds with old school piano stabs. Buy it from beatport here.

Boy 8-bit hardly needs an introduction on this blog. Here Greenmoney brings some of that funky house percussion to the original's winding melody:


Another highlight is Idiotproof - the formidable collaboration of Jamie Anderson and Deepgroove, or so far as I'm aware. I read an interview in DJ mag recently, in which they proclaimed to be a couple of artists who wished to remain anonymous (sighh...), behind their horse masks (another sigh...). No matter, their big main-room tech-house productions speak for themselves. Check out their superb remix of Cevin Fisher's 'The Freaks Come Out'. Below is their Cagedbaby rejigg, filled with slow builds and techy bass surges:

Cagedbaby - Forced (Idiotproof Remix)

Head to Room 2 to hear one of Solo's tastemaking mixes. And For your dubstep fix, hit up Plastician or Boog-A-Loo Crew in the main room.

Boog-A-Loo Crew are on the up with a number of brilliant productions - and you can buy each one for a mere 70p here. Or all you northern monkeys can catch Boog-A-Loo crew later in the month at my electro/techno/house night in York, idioteque, supported by our buddy Park Ranger. In the meantime check out a Trouble Vision promo mix from the Crew themselves (tracklist in comments):

The Boog-A-Loo Crew - Trouble Vision Mixtape No.001


Early bird tickets have sold out, but you can still get advance tickets here and check the facebook event.

 

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